Posts filed under ‘Breakfast/Brunch’
We bought our first real house when I was in 4th grade. Up until then, we’d been calling a suburban condo home, but it wasn’t working for my mother. She wanted a yard to weed and nurture, walls she could paint palest lavender or creamy sage. As for me, I didn’t care much about having a patch of grass or a room painted blue. I just thought that our house was our home and I didn’t really want to leave it.
I remember the first night we spent at the new house. It was March, still cold, and we hadn’t fully moved over. The house was still half-empty, like a partially created stage set. In the dark the rooms were ominous and alien, as if the previous family had vanished into the walls. The stacks of boxes and unfamiliar furniture arrangement cast weird shadows, and I was too scared to close my eyes.
For weeks, whenever I heard the word “home,” I didn’t think of our freshly painted door or the roses outside my new bedroom window. I pictured our beige condo and its curved, carpeted staircase instead.
Eight years later, our little green house feels achingly like home. It’s in the details that I’ll remember years from now. The dusky blue drinking glass that I use solely for trapping and freeing spiders when my mother’s asleep. The arthritic creak of the French doors to our backyard. The flood of light that drenches our living room in liquid gold on Sunday mornings.
Oh, and… my kitchen. The slick black and white checkered floor that we’ve wanted to get rid of since the beginning (we never will), the marigold walls, the flaking white cabinets that don’t all shut properly. It isn’t even truly “my kitchen.” For all my baking passion and “heart in the kitchenaid” talk, it belongs to this family much more than any one of us.
I think more than anything, home will always sound like the grating whirr of my father peeling potatoes. Taste like umami beef noodle soup that makes your whole body tingle, it’s so intensely beautiful. Feel like crouching outside in a cool drizzle, herbs bundled in my fingers as in, “I could use a handful of chives – Elissa?” And maybe most of all, the warm, yeasty smell of rising bread when the sunlight through my window wakes me up.
I woke up Sunday morning really, really aching to be in the kitchen.
Maybe it was because I’d gone to Dianne Jacob’s food writing workshop on Saturday, and since then my mind was shrouded in hunger and taste related adjectives. Maybe it was because I hadn’t baked anything in a week. But I felt like doing something a little more ambitious, and I chose to tackle my yeast anxiety with Flo Braker’s Lemon-Scented Pull-Apart Coffee Cake.
Predictably, my mother had woken long before me. She was outside, watering the irises that have simultaneously burgeoned forth. But she’d been in the kitchen first. I could smell the proofing dough before I even entered the hallway. And her fingerprints were all over the kitchen – a cleaner than clean countertop, a dishwasher full of drying bowls, and finally, a Rapunzel-esque braid of challah draped with a clean cloth.
We juggled the kitchen after she came inside and peeled off her gardening gloves. She brushed the pillowy loaf with an egg wash while I kneaded, flour on both our noses. She showed me how to make bread rise properly in our cool house (she heats a cup of water in the microwave for 4-5 minutes to create steam, then leaves the covered loaf there to rise.)
While the challah browned on the outside and fluffed up inside like cotton, I spread my dough with lemon sugar and cut it into rectangles. The whole house seemed to be rising like bread itself. The warm air from the oven circulated up and back down until every room was rosy. The couch, the bathroom towels, my sweatshirt… everything smelled like my favorite smell, yeast and flour and home.
Mom’s challah was breathtaking, the way that homemade bread kneaded and shaped in your hands is always breathtaking. And to my surprise, the Lemon-Scented Pull-Apart Coffee Loaf lived up to its mouthful of a name. The loaf baked up sumptuous and golden, envelopes of lemon zest and fluff, slathered with a cream cheese frosting.
We gorged ourselves on bread: chunks of challah, sheets of lemony loaf. My mom would taste my bread, praise it, give me a slice of hers. “Isn’t it good? Yours came out so well,” we’d both say. As long as my mother is filling the kitchen ceiling with sweet, oven-hot air, I have a place to call home.
I first heard my favorite book, To Kill a Mockingbird, as an impressionable 5th grader. My teacher read a few chapters every day after lunch. Her soft, steady voice was like sunlight as she spoke, and while some of my classmates drooped over their desks in boredom, I sat straighter and tilted my face upward.
I’ve lived in the Pacific Northwest just about my whole life, and I was enchanted by the Maycomb women’s powdered faces and slow drawls. I easily forgot who and where I was as I listened. Although I knew nothing about the South, I could tangibly feel the stifling Alabama heat and the tangled overgrowth of leaves against my skin as I staked out Boo Radley’s house with Scout, Dill, and Jem.
Even at 10 years old, I recognized that I was experiencing something special. Now at 18 (yeah, 18), I love the way my understanding of the book deepens with each reread. I’m floored by how eloquently and beautifully the story unfolds. But most of all, I never forget how utterly transported I felt the first time I read it – and that’s why it’ll always be my favorite book.
That was only the first time I can remember being completely immersed in emotion.
I vividly recall conducting research for a historical investigation on the Holocaust. I read books cross-legged with my back against the wall. Hours later, I hadn’t moved or taken notes. I didn’t think about how I must have looked, sniffling into the pages. I wandered the silent, towering shelves aimlessly, feeling filled with history, until the library closed.
Another day, I listened to Jhumpa Lahiri’s “Hell-Heaven.” I was riding the bus home, but I couldn’t have told you the time or the year or what kind of shoes I wore. I fell so deeply into the story that I missed my stop. I had to walk an extra half-mile through the hail but I didn’t even care, so long as the words kept flowing through the headphone wires.
I admit that I like being overwhelmed by books, music, articles and movies. I want to be swept away into a strange world made familiar, and I want to experience all the emotions and senses that come with the journey.
Even though there are no words, speeches, or lyrics in the kitchen, it happens with food. Just picture fruit salad, chicken cooked on the grill and dripping ice cream – don’t you feel intensely summery? A slice of almond-pear tart evokes the cobblestone of Paris. A peanut butter and jelly sandwich brings me back to simpler days in the lunch room.
It’s hard to write something that will touch people. I get caught up in word choice, diction, the details that will make the piece surprising and truthful. But ingredients and photographs speak for themselves. Across the country, anyone can slice open an avocado or knead pretzel dough and really feel something. When it comes to cuisine, the story is in you. You use your memories and experiences to create the feeling all on your own.
It’s just one of the many things I find beautiful about baking. Food really is the common thread for people everywhere. Even if you can’t compose a symphony or publish a novel, everyone around you can taste the love, the life and the heritage in your cooking.
These biscuits. I didn’t feel anything unusual when I patted out the dough, cut out the rounds with a glass or brushed the tops with cream. I thought about homework and a couple emails I needed to send while they baked. We had a beautiful breakfast that morning – all fresh-squeezed tangerine juice and tender eggs – but it was nothing special, just a regular weekend morning.
Monday morning, I was at my grumpiest. The shower wouldn’t get hot and I was annoyed. I was irritated by how long it took the biscuit to heat up. But one bite was all it took. Spread with jam, it brought me back to that moment when Dad gave me a good morning hug, and Mom slid potatoes onto my plate, and I thought that nobody could ever ask for anything more.
And possibly, maybe if you make these – you can bring that moment to your kitchen too.
[PS: It was my birthday this week, so I am technically no longer "17 and baking." But don't worry! The blog name, URL, and all the links are staying the same. "18 and Baking" just doesn't have the same ring to it. :) Also, the Canon is broken. I can't take photos while it's getting fixed, but hopefully I can be on time with my next post. Thanks for sticking with me!]
Nobody understands it, but for some inexplicable reason I like to work in the dark.
Well, not complete darkness. But as long as there’s a bit of gold left in the sky, I flick the light switches off before preheating the oven or leaving out the butter. I watch the lightbulb gradually dim until all that’s left is the little red glow of the filament, like the scarlet flicker of a snake’s tongue, until that too goes out in a snap. Then I get to work.
I throw open all of the curtains. Despite the chrome-colored damper of winter in Seattle, there’s a natural light that filters through the glass and brightens the kitchen in a way that artificial light cannot. I like the shadows that fall from the measuring cups on the counters. I like the burnt-edged way my photographs come out, and despite my father’s eye rolls and my friends’ confusion, I like the way I feel at home.
Some days I want to tackle big projects, like French pastries and gourmet spice profiles. I feel ambitious, and I turn on the lights to help me keep focused.
But sometimes I’m having one of those afternoons where I want my mind to de-clutter. I had one of those last week. I wore my oversized hunter green sweater and soft brown slippers to school, calling it “the macaroni and cheese of clothing.” In a word, it’s comfort. That day, I wanted to eat something just as simple and comforting as a day in sweatpants or a kitchen bathed in vanilla-sugar light.
It’s always hard to decide what to make. I usually pick based on what I feel like baking, since that’s where I derive most of my joy. But that day, I focused on what I felt like eating. I couldn’t think of anything that satisfied my craving, though, so I heated water to make myself a cup of jasmine green tea instead. That’s when it came to me.
When I stumbled upon rice pudding, I felt my heels lift off the floor a little, and then I could think about nothing else. Rice pudding is my very favorite comfort food – creamy, soft, and studded with a million little vanilla bean seeds.
It’s funny. I don’t like to waste money or ingredients, so I have a “vanilla scale” in order to save on both. I have two brands of vanilla extract – one cheap and one quality – and two brands of vanilla beans – one cheap and one quality.
I use the cheap vanilla extract for experiments and where it “doesn’t matter,” in muffins and scones. I save the good vanilla beans for dishes where they’ll shine, in my opinion where they belong: ice cream, custards, and really good rice pudding.
I didn’t even blink before deciding to use one of my most precious vanilla beans for this rice pudding. As I began to cook the rice, I had a sudden stroke of inspiration. I quickly lit another burner on the stove, poured in the milk, and added three of my family’s favorite jasmine green tea bags.
I didn’t know how it would turn out. I didn’t even consider that it might be awful and ruin my vanilla bean. I just inhaled the fragrant steam coming up from the jasmine milk, and the powerful aroma of the vanilla bean seeds speckled on my fingers. I knew I wasn’t making a mistake.
The pudding came together quickly. I felt more and more serene with every stir of the wooden spoon. The kitchen was warm, and my heart felt full. I held a warm bowl of rice pudding and curled up in the rocking chair in our living room, the one by the huge window that stretches from floor to ceiling. I took the first spoonful of rice pudding.
Oh, oh, oh, the jasmine was so not a mistake!
I didn’t taste it at first, just the beautiful woody creaminess of the vanilla. But then there it was, quietly, floral notes that crept up like crocuses in spring. The slight flowery bitterness of the jasmine green tea, complimented perfectly by the vanilla… I turned off my cell phone and put away my iPod. Then I got myself another bowl of rice pudding and snuggled into the chair until the very last ray of light went out in a snap.